In the face of proclaimed ‘post-truth era‘ and ‘era of fake news’, there is an urgent need of investigation of language and exploration of its political bias. People use the same words in totally different contexts depending on their political and ideological views. Thus, the challenge is to disclose an author’s perspective and critically read information. From now we can also look to a new online dictionary, AllSides Dictionary, that provides a “balanced definition of 400 controversial terms, revealing how they are perceived differently by people with different political perspectives.”
AllSides is a news hub that offers guidance to readers on the potential political bias of articles and news providers. The Dictionary is a project work-in-process, created by contributions from various academic fields. The Dictionary may become the obligatory source of knowledge for students to develop their critical thinking and understanding of controversial topics.
One of the terms included in AllSides Dictionary is ‘Feminism‘ which definition begins with the following words: “It’s hard to imagine another word that invokes such strikingly different connotations than the word feminism”. Further, the definition provides the explanation of the word from two different perspectives:
“For many (most) on the left, the word feminism is a categorically positive reference to the larger fight for women’s rights and the overall push for equal rights and opportunity for women alongside men. For many on the right (not all), feminism has become a categorically negative reference to a vocal and aggressive minority of women pushing everyone else to allow them to ‘act the same as men.’ For some conservatives, the feminist movement disregards unique and special aspects of womanhood in favor for a universalized and androgenous view of gender. In addition to overlooking the distinctive female elements, feminism is seen as eradicating and even trying to destroy the distinctive and unique complementarity between men and women – as well as the traditional family”.
Beside ‘Feminism’, you can read about the words ‘Diversity‘, ‘Equality‘, ‘Refugee‘, ‘Terrorism‘, ‘Discrimination‘, and much more. The last word includes not only interesting explanation but also ‘Questions To Play With’, such as “Do you think discrimination is being over-applied and over-used, or under-recognized and under-seen?”, “Have you ever seen something labeled as ‘discriminatory’ or ‘discrimination’ in a way that you think was unfair or inaccurate?”, “Have you ever felt discriminated against? Did anyone question your feeling?”, “Have you ever heard someone say they were discriminated against and didn’t agree with their characterization of what happened?”.
Read more about AllSides Dictionary: https://www.timeshighereducation.com/news/academics-use-new-dictionary-aid-students-era-fake-news
The MIT Press is going to republish Hamlet on the Holodeck. The Future of Narrative in Cyberspace by Janet H. Murray. Updated edition will be released in March twenty years after its original publication. In 1997 Hamlet on the Holodeck was one of the seminal publications alongside such books as Cybertext by Aarseth (1997) and Hypertext by Landow (1992). Then, to a certain extent, it has been overlooked in a history of electronic literature and digital culture. Therefore, I am glad to hear that Murray’s book is coming back in the new edition. The first and the beginning of second generations of digital literature are represented not only by Landow, Bolter and Aarseth, but also by Murray whose contribution in this field is invaluable.
Janet Murray’s Hamlet on the Holodeck was instantly influential and controversial when it was first published in 1997. Ahead of its time, it accurately predicted the rise of new genres of storytelling from the convergence of traditional media forms and computing. Taking the long view of artistic innovation over decades and even centuries, it remains forward-looking in its description of the development of new artistic traditions of practice, the growth of participatory audiences, and the realization of still-emerging technologies as consumer products. This updated edition of a book the New Yorker calls a “cult classic” offers a new introduction by Murray and chapter-by-chapter commentary relating Murray’s predictions and enduring design insights to the most significant storytelling innovations of the past twenty years, from long-form television to artificial intelligence to virtual reality.
George Walton Lucas Jr., an American filmmaker and the creator of the Star Wars, is about to open the museum called the Lucas Museum of Narrative Art in Los Angeles. The concept design of the futuristic-looking museum in Exposition Park is astounding. It assumes that the house will collect his some 10,000 paintings and book, and magazine illustrations assembled over decades. Without a doubt, the museum will attract tourists, fans of Star Wars, artists, humanists, researchers, futurists, and many other!
I am pleased to say that I have got a position as a postdoctoral researcher in Media Lab Helsinki at Aalto University where now I am conducting my six-month research under the supervision of Prof. Lily Diaz-Kommonen. My project, titled “Laboratory Beyond Science: Towards an Analysis of New Physical Place and a New Paradigm”, is devoted to the meaning, the operation and the idea of laboratory in media, culture and the humanities.
In the face of proclaimed crisis, the humanities has undergone many significant infrastructural changes. One of their implementations is building a new physical location that is ‘laboratory’ which radically modifies the nature of humanities. Since every workplace determines a type of research, instruments, and networking between actors, we need to focus on an investigation of the new physical place to realize how it transforms the way of conducting research, methodology, and knowledge production in the humanities where consequently, for me, a ‘cultural artifact’ is seen as a ‘sample’.
Therefore, my research is devoted to the analysis of laboratory beyond science: in media, culture and the humanities through the lens of the sociology of space and sociology of scientific knowledge. The goal of the project is to show that the ‘laboratory is considered as an 1) institutional change within the university, 2) a space of technological imagination and designing new society and culture, and 3) a new paradigm implying new practices, including new ways of knowing, new forms of sociality, and new forms of agency.
A primary research method is as a case study to investigate the laboratories in practice, seen as a physical space (Media Lab Helsinki at Aalto University), and a paradigm (Aalto LAB Mexico). In the coming months, I will also conduct interviews with heads of laboratories.
“The False Grandmother” by Calvino is not only printed book and audiobook but also now animated story. Watch the animation made by Kevin Ruelle and listen to the dark fable read by an actor John Turturro.
Watch and read more here.